Individual Entry

 
 

 
Carrie

Carrie

Confession time: this is the first time I’ve read a Stephen King novel. No, really. That’s quite an accomplishment, given my interest in horror and the sheer number of horror novels King has written, but I suppose we’ve all got to start somewhere.

Generally speaking, when I read a book that has been made into a film, in instances where I’ve seen the film first, I tend to come away with the impression that the book is the better version, with too much having been lost in the adaptation process. Not so with Carrie: I genuinely think that Brian De Palma improved the story in his iconic 1976 film. Carrie is a scant 200 pages (plus, in my copy, a new introduction by King in which he talks, at some length, about its origins), and I read it in dribs and drabs over the course of a week (that’s pretty fast by my standards). It definitely gripped me considerably more than the last book I read, The Historian, but I wouldn’t call it a masterpiece by any means. King uses an interesting technique (abandoned by De Palma in his film version) in which he intercuts the narrative with extracts from various publications - academic journals, courtroom transcripts, the written testimony of survivors of the fateful prom night - giving the read insight into the minds of people other than just poor Carrie White. Sometimes it works, sometimes it’s just a distraction that gets in the way of the plot.

Unfortunately, I suspect that my having seen the film beforehand coloured my reading of the book. King refers to Carrie on numerous occasions as large and “bovine”, which Sissy Spacek most assuredly is not. He describes Margaret White in a similar way, which again clashes with the appearance of Piper Laurie in the film. It’s odd that the image of Carrie as a frail, slight girl seems to have been adopted so unanimously, as just about every piece of cover artwork that I’ve seen for the book, whether explicitly based on Spacek’s appearance in the film or not, bears more resemblance to the character from the film than to the one described on the page. That’s not, of course, a problem with the book itself but rather the way its image has been altered by the film’s influence.

As with The Exorcist (and I’ll get back to reading Legion very soon, Lee, I promise!), what struck me most about Carrie was the film’s faithfulness to its source material. Entire scenes and conversations have been lifted from page to celluloid, although, like I mentioned before, the film dispensed with the fictitious “secondary sources” used in the book. Some key changes were also made to the final act, probably due to budgetary constraints, and a plot involving a telepathic link between Carrie and Sue Snell (through whose eyes we see many of the events in the book) was also dropped.

So yeah, my first Stephen King, and probably not my last. I enjoyed it for sure, but it didn’t offer any startling revelations that I would have missed by just watching the film.

 
Posted: Saturday, June 02, 2007 at 1:13 PM | Comments: 4
Categories: Books | Cinema | Reviews

 
Comments

1.

As someone who doesn't particularly rate King very highly, I'd recommend you take a look at Pet Semetary. It's probably the closest King's ever got to conventionally 'classic' literature, due to its absolutely brutal look at death.

I actually own a copy, so if you'd like to borrow it you're more than welcome.

Posted by: Baron Scarpia, June 2, 2007 1:53 PM

2.

Yeah, Carrie didn’t exactly scream “master writer” to me, although to be fair, it was his first published novel. I may take you up on Pet Semetary at some point.

By the way, any interest in taking a look at the Buffy Season 8 comics, or was seven seasons enough for you? The fourth issue, which will be the final instalment in the opening four-parter, should be with me in the next couple of weeks, and I could post them out to you if like.

Posted by: Whiggles, June 2, 2007 3:10 PM

3.

Thank you for the offer. However, for various reasons I'll have to put it on hold; lack of time and my recuperating from seasons six and seven, to name two.

No doubt the comics do represent an upturn, but this isn't particularly difficult...

Posted by: Baron Scarpia, June 2, 2007 7:04 PM

4.

CARRIE: THE MUSICAL is more faithful to the novel's physical description of Carrie and her mother than the 1976 film. It also keeps the original ending as well.

The 2002 TV-remake keeps King's style of using a frame story with the survivors of the fire getting interviewed. It doesn't work on film.

Posted by: , June 5, 2007 4:36 AM

Comments on this entry and all entries up to and including June 30th 2009 have been closed. The discussion continues on the new Land of Whimsy blog:

https://www.landofwhimsy.com

 

 
 
Back to...