Prince of Persia (2008) initial impressions
I picked up a copy of Prince of Persia for PC yesterday - the 2008 reboot, that is, not the original 1989 platformer of the same name. (Incidentally, I’m not what you’d call a fan of this trend of relaunching long-running game series and giving the new edition exactly the same title as the original. It just seems unnecessarily confusing and means you always have to clarify which one you’re referring to. Anyway, I digress.) My primary motivation in getting a hold of this game was its very pretty cel-shaded graphics, which, in terms of colours and overall stylisation, are not unlike those found in Eternal Sonata for the Xbox 360 and PlayStation 3. That said, I don’t think anything else quite like it exists on the PC, so for me it’s pretty unique.
As has been the case with all the Prince of Persia games since Prince of Persia 3D in 1999, the gameplay borrows heavily from the Tomb Raider series, played from a third-person perspective and with an emphasis on climbing, acrobatics and puzzle-solving, albeit with an Arabian Nights twist. This time round, the central character of the Prince has been redone from the ground up, and, as is perhaps fitting for a game released in 2008, he’s a wise-ass punk who most sane people would dearly love to kick in the teeth. It could be worse, though: compared to what’s happened to Sonic the Hedgehog of late (a character who arguably always had an unhealthy amount of ‘tude, but which seems to have reached epidemic proportions in the last few years), he’s fairly bearable. And at least, this time, he’s teamed up with a female companion, Elika, who isn’t just a damsel in distress. Rather than simply being a sidekick, she holds her own and actually turns out to be pretty useful.
By “turns out to be pretty useful”, I should perhaps have said “makes the game incredibly easy”. There’s a lot of hand-holding in this instalment: Elika not only shows you exactly which path you have to take through each area (if you ask her), she also helps you fight and prevents you from ever dying by swooping down and pulling you to safety if you happen to mistime a jump. Given that the previous reboot of the franchise, The Sands of Time, was a little too obtuse for my tastes, I’m actually quite happy to have Elika along for the ride, but so far, the game certainly hasn’t offered anything approaching a challenge and, if the reviews are to be believed, this stays the same right up to the end. I’m not sure I’d call this a “casual game” in the most obnoxious sense of the word - in other words, something extremely simplistic designed for every man and his grandmother to play without any attempt to cater to core gamers - but if you’re looking for something that taxes the old grey matter, I suspect this isn’t it. Good thing it looks and sounds absolutely beautiful, so much so that it’s possible for me to overlook the relative lack of substance… kind of like My Blueberry Nights, really.
Oh, and it is indeed 100% DRM-free. There isn’t even a CD key, nor does the game check that the disc is in the drive before playing. This seems to be a change of policy for publisher UbiSoft, and I for one applaud them for not assuming that their customers are all potential pirates. I just hope it’s an intentional decision and not simply an oversight.