Let the Right One In BD impressions
It’s probably fair to say that the two main significant vampire films to be released in 2008 were Twilight, based on the inexplicably popular book by Stephenie Meyer, and Tomas Alfredson’s Let the Right One In. Of these, there can be little doubt that the latter is the superior movie. Whereas Twilight was basically an exercise in misogynist navel-gazing featuring pretty people standing around looking vapid, this Swedish effort, itself based on a successful novel, is an altogether more mature and intelligent exploration of the vampire myth - one which manages to avoid clichés for the most part and give a potentially silly subject gravity. It’s not a particularly “fun” movie to watch, due to a combination of its bland visual style (as repetitive in its own way as Twilight’s continually blue-tinged cinematography) and the fact that the subject matter is pretty dark with no real lightening of the mood, and ultimately caters to a completely different crowd from those who lapped up Twilight’s mushy romance. I do have some criticisms - for instance, I’m not sure the decision to set it in the 1980s ultimately lent anything to the proceedings, and I did feel that the pacing flagged a little in the first hour - but I’d rather watch this again a hundred times than view Twilight even once more.
Let the Right One In is an extremely drab-looking film, and this can lead to the image looking a bit underwhelming. It lacks depth, and the rather flat lighting doesn’t help matters. Wide shots lack definition, and ringing around high frequency edges, including the opening credits text, suggests that filtering took place at some stage in the chain. On the plus side, the grain looks decidedly natural. I did, however, note an instance of DVNR artefacts: at around the one-hour mark, when Oskar thumps one of his bullies, the stick he uses goes a bit Gorilla My Dreams (see Example 11). This is the only instance I could spot where anything like this happens, but that’s no guarnatee that it definitely doesn’t occur elsewhere. I can’t say this is a particularly striking presentation, although that’s at least partly attributable to the visual style. 7/10
Let the Right One In
studio: Magnolia; country: USA; region code: ABC; codec: VC-1;
file size: 22 GB; average bit rate (including audio): 27.59 Mbit/sec